Taylor 214ce-K Grand Auditorium Koa Natural Shaded Edge Burst ES2

Taylor 214ce-K Grand Auditorium Koa Natural Shaded Edge Burst ES2
Crafted with solid tops for optimal projection, clarity, and tonal balance, Taylor’s 214ce-K Grand Auditorium koa ES2 models offer the balanced highs and supportive lows of the brand’s flagship, medium-sized body shape, generating warm lows and crisp, clear treble notes, accented by deluxe appointments, with a modern feel and articulate response. Plus, Taylor’s ES2 electronics provide ample tonal control and responsiveness.

200 Series—Sitka/Koa 
Taylor’s 200 series is crafted with solid tops for optimal projection, clarity, and tonal balance—so, whether you’re a new player on the hunt for inspiration from a new instrument, or an experienced guitarist looking for an accessible pro-level tool, a Taylor 200 series will cover just about any application. Beautifully figured and durable, the layered koa back and sides on these guitars come loaded with high-end performance appeal, further enhanced by the full-gloss body, white binding, Small Diamond fretboard inlays, and Venetian cutaway.

Grand Auditorium
The brand’s flagship body shape, the Taylor Grand Auditorium’s medium size offers balanced highs and supportive lows, making it a versatile choice that’s fit for nearly any playing style. Boasting bold, balanced tone, the Taylor Grand Auditorium provides vibrant, well-defined sound across the entire tonal spectrum, thanks to a more tapered waist than a traditional dreadnought, making the Taylor Grand Auditorium the Swiss Army Knife of Taylor’s body shapes.

Q: Does a cutaway diminish a guitar’s tonal output? 
A: Not in a discernible way. We recommend you decide based on whether you want that extra upper-fretboard range; or, if you simply have an aesthetic preference—either for a more traditional, symmetrical look of a non-cutaway, or in favor of the sleek, more modern contouring that the cutaway offers.

V-Class Bracing
The Taylor Grand Auditorium features Taylor’s innovative new V-Class bracing, which lets the soundboard of the guitar vibrate naturally, increasing sustain and overall cohesiveness, and generating additional volume without sacrificing sustain. This design puts the body more in tune with the strings, improving articulation and harmonic alignment,  resulting in a sound that is optimally warm and seasoned, nicely blended, and full of luscious low end without being muddy.

ES2 Electronics
The Taylor Expression System 2 (ES2) delivers the latest technology in Taylor acoustic guitar amplification. The heart of the ES2 system is Taylor’s patented behind-the-saddle pickup, featuring three uniquely positioned and individually calibrated pickup sensors. The new positioning enables the piezo pickup’s crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle, with three pickup sensors installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle. Together with Taylor’s custom-designed preamp, this ES2 system produces exceptional amplified tone and responsiveness.

Scale Length: 25-1/2′
Nut & Saddle: Nubone Nut/Micarta Saddle
Bracing: X Bracing
Truss Rod Cover: Black Plastic
Pickguard: Tortoise
Number of Frets: 20
Tuners: Die-Cast Chrome
Case: Hard Bag
Body Length: 20′
Body Width: 16′
Body Depth: 4 5/8′

Binding/Edge Treatment: White
Top Finish: Matte
Back Config: Layered
Rosette Size: Three Ring
Back/Side Finish: Matte
Rosette Mat.: Plastic
Stain/Sunburst: Shaded Edgeburst

Neck Width: 1-11/16′
Fretboard Inlay: 4mm Dot Italian Acrylic
Fretboard Binding/Edge Treatment: None
Heel Cap Binding: White
Type of Neck Joint: Scarf
Neck/Heel: Tropical Mahogany
Fretboard Wood: West African Crelicam Ebony
Neck Finish: Matte
Heel Length: 3-1/2′

Peghead Finish: Matte
Peghead Type: Standard
Headstock Overlay: West African Crelicam Ebony
Peghead Logo: Taylor Colorcore

Bridge Pins: Black
Buttons: Chrome